Identifying Architecturally Unpleasant New Houses: The Case of Brooklyn McMansions

Introduction

Architecturally unpleasant new houses, particularly those referred to as McMansions, have become a prevalent issue in certain neighborhoods across the United States. This article explores the basic problems that lead to these unsightly and out-of-touch constructions, with a specific focus on the Brooklyn New York region. Understanding these issues is crucial for both architects and property owners aiming to create aesthetically pleasing and functional homes.

Characteristics of McMansions in Brooklyn

The term McMansion describes oversized homes built on relatively small plots of land in densely populated areas like Brooklyn. These houses are often referred to as 'monstrosities' due to their apparent disregard for the surrounding architecture and their lack of garden landscapes. Designed to be large and ostentatious, they often do not align with the architectural styles of homes built before them on the same plots.

One primary issue with these homes is the mismatch in scale and style. They are built on land lots that are typically meant for one or two family homes. Consequently, these houses are often excessively large for the space they occupy, leading to a cramped and ill-proportioned appearance. Another significant problem is the lack of attention to garden landscaping, which further emphasizes their out-of-place nature.

Historical Context and Architectural Shifts

Before the proliferation of McMansions, the architectural landscape of the pre-war era in Brooklyn New York was quite different. During this period, a variety of styles were popular, including Euro knockoffs such as English tutors, Spanish colonial, and Georgian. These homes were often built in the styles of wealthy individuals, characterized by their intricate detailing, expensive materials like plaster and clay tiles, and attention to architectural symmetry.

However, following World War II, the architectural climate changed dramatically. The construction of cheap, mass-produced houses became the norm. This not only introduced a decrease in variety and quality but also led to the demolition of many pre-war mansions. Styles like hardwood floors, pitched roofs, raised foundations, and architecturally designed windows became rare, replaced by less sophisticated and less aesthetically pleasing alternatives. By the early 1960s, homes were often made from materials like aluminum sliders, drywall, and pre-fabricated finishes, with little to no contribution from professional architects.

Current State of Architectural Education and Practice

Today, the problems of architectural aesthetics extend beyond just the materials and styles used in construction. Architectural education and the principles of design seem to have been neglected. The disregard for basic laws of symmetry, for example, has led to the widespread appearance of ungainly and awkward McMansions. These houses, which often compromise functionality and aesthetics in favor of visual impact, are widespread in urban environments.

While it is understandable that the desire for large and visually impressive homes can drive these architectural choices, it is important to consider the long-term impact on the urban landscape. Urban scape both affects and is affected by architectural design, and poorly designed homes can diminish the character and beauty of a neighborhood.

Conclusion

The emergence of McMansions in Brooklyn New York is a symptom of a broader architectural and cultural shift. Understanding the root causes of these unsightly homes, whether due to a lack of historical context, the influence of mass production, or the absence of proper architectural education, is crucial for improving the aesthetic and functional standards of new constructions. By focusing on the principles of well-designed architecture, we can create homes that are both beautiful and functional, enhancing not only individual property values but also the overall urban environment.